A pushy boss forces her young assistant to marry her in order to keep her Visa status in the U.S. and avoid deportation to Canada.
Director:
Anne FletcherWriter:
Pete Chiarelli (as Peter Chiarelli)Stars:
Sandra Bullock, Ryan Reynolds, Mary Steenburgen | See full cast and crew »Storyline
For three years, Andrew Paxton has slaved as the assistant to Margaret Tate,
hard-driving editor at a New York publisher. When Margaret, a
Canadian, faces deportation for an expired visa, she hatches a scheme to
marry Andrew - he agrees if she'll promise a promotion. A skeptical
INS agent vows to test the couple about each other the next Monday.
Andrew had plans to fly home that weekend for his grandma's 90th,
so Margaret goes with him - to Sitka, Alaska - where mom, dad, and
grams await. Family dynamics take over: tensions between dad and
Andrew, an ex-girlfriend, Andrew's dislike of Margaret, and her past
color the next few days, with the INS ready to charge Andrew with fraud.
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The Proposal (I) Reviews
My jaw is still aching, almost an hour and a half after the credits rolled. I don't recall when
I last laughed this consistently and heartfelt at a new production. Yes, this is pretty formulaic
stuff... if you've seen one mismatched couple romantic comedy, you've seen them all.
This never claimed to be anything other than that. It definitely delivers what one expects
from the genre, without any of it being phoned in or taken any less seriously. Not every
film needs to revolutionize the craft, and shape cinema for decades to come. If everything
was excellent, it would become the norm, and it would cease to be special. And I find it
incredible and immensely positive that a movie with this kind of humor(observational,
and largely derived from typical situations that happen to everyone) can still be made,
and be nicely received. Humiliation and pain are not actually funny. They get a schadenfreude
reaction, "thank goodness that didn't happen to me", and thus we move further apart,
isolate ourselves all the more. This does the opposite, letting us get closer to each other,
share the little things that we've forgotten are silly or "off" in our everyday lives.
It does go a tad too far on occasion, to get the audience going, but those instances are
few in number. The acting is great all-round, and the two leads have chemistry, and play
off each other well. There are countless memorable sequences, jokes and gags in this.
This contains "moments" between Bullock and Reynolds, as well, and they genuinely work.
You feel for them. The characters are just about invariably well-written, interesting and credible.
In general, the script is well-done. The music is pleasant and well-chosen. This ought to
entertain nearly everyone, of any age. There is a little strong and/or risqué language,
and a couple of usually mild sexual references, and this tends to be inoffensive.
I recommend this to all who think they may enjoy it.
I last laughed this consistently and heartfelt at a new production. Yes, this is pretty formulaic
stuff... if you've seen one mismatched couple romantic comedy, you've seen them all.
This never claimed to be anything other than that. It definitely delivers what one expects
from the genre, without any of it being phoned in or taken any less seriously. Not every
film needs to revolutionize the craft, and shape cinema for decades to come. If everything
was excellent, it would become the norm, and it would cease to be special. And I find it
incredible and immensely positive that a movie with this kind of humor(observational,
and largely derived from typical situations that happen to everyone) can still be made,
and be nicely received. Humiliation and pain are not actually funny. They get a schadenfreude
reaction, "thank goodness that didn't happen to me", and thus we move further apart,
isolate ourselves all the more. This does the opposite, letting us get closer to each other,
share the little things that we've forgotten are silly or "off" in our everyday lives.
It does go a tad too far on occasion, to get the audience going, but those instances are
few in number. The acting is great all-round, and the two leads have chemistry, and play
off each other well. There are countless memorable sequences, jokes and gags in this.
This contains "moments" between Bullock and Reynolds, as well, and they genuinely work.
You feel for them. The characters are just about invariably well-written, interesting and credible.
In general, the script is well-done. The music is pleasant and well-chosen. This ought to
entertain nearly everyone, of any age. There is a little strong and/or risqué language,
and a couple of usually mild sexual references, and this tends to be inoffensive.
I recommend this to all who think they may enjoy it.
